Mamy dla Was do\u015b\u0107 spontaniczn\u0105, ale bardzo ciekaw\u0105 propozycj\u0119 w zwi\u0105zku z tym, \u017ce Krak\u00f3w odwiedzi Megan Bridge!<\/p>\n\n\n\n
1. Zapraszamy na dwa spektakle solowe Megan Bridge oraz dyskusj\u0119 pospektaklow\u0105 we wtorek 27 listopada o godz. 19:00 w Studio KCC<\/strong><\/p>\n\n\n\n MORPHIC RESONANCE \/ MEGAN BRIDGE<\/strong> Megan Bridge (<fidget>, Philadelphia) presents two solo works, followed by an informal talk on the lineages of improvisation and experimentation in post-Judson American Dance. *Peter Price will not play live for this performance<\/p>\n\n\n\n
PERFORMANCE \/ DISCUSSION<\/strong>
cena biletu: 25 z\u0142<\/p>\n\n\n\n
Morphic Resonance is a solo improvisation performed by dancer\/choreographer Megan Bridge, with original music by Peter Price.* In this research-based performance project, a solo dancing body is set into resonance with the sound and space that surround it. Price\u2019s ambient, droning electronic soundscapes are punctuated by percussive loops. Bridge builds movement worlds like architectures that are both kinesthetically expansive and minutely precise.
Bridge also presents her newest solo work, (Un)Locking McClary. In 1987, feminist musicologist Susan McClary likened Beethoven\u2019s music, and in particular his 9th Symphony, to rape. This dance proposes a counter-argument.
Following these two dances, Bridge will lead a discussion on improvisation and experimentation in post-Judson American Dance. Bridge has worked closely with Steve Paxton and Lisa Nelson, has performed the works of Lucinda Childs and David Gordon, and has studied with Deborah Hay. In this informal chat, Bridge brings her experience with these experimental artists into the room, sharing her observations about their approaches to task-based movement, embodiment, and presence.<\/p>\n\n\n\n