KIEDY:<\/strong>\u00a027 sierpnia \u2013 1 wrze\u015bnia 2018 r.<\/p>\n FORMY:\u00a0<\/strong>Gaga, GoPiYoga, taniec fizyczny, Countertechnique<\/p>\n PEDAGODZY:\u00a0<\/strong>Gosia Mielech (za\u0142o\u017cycielka DanceLab, wsp\u00f3\u0142praca: Polski Teatr Ta\u0144ca, Teatr Ta\u0144ca i Ruchu ROZBARK, Uri Ivgi & Johan Greben, Ohad Naharin, Bosmat Nossan), Patricia Hastewell (wsp\u00f3\u0142praca: Yasmin Vardimon Dance Company), Yi-Chun Liu (wsp\u00f3\u0142praca: Peeping Tom, Ann van den Broek, Anouk van Dijk, Scapino Ballet Rotterdam)<\/p>\n DLA KOGO:<\/strong>\u00a0tancerze \u015brednio zaawansowani i zaawansowani, zainteresowani szeroko poj\u0119tym ta\u0144cem wsp\u00f3\u0142czesnym i improwizacj\u0105; osoby pe\u0142noletnie z Polski oraz z zagranicy<\/p>\n Grafik (pn-sb): Cena warsztat\u00f3w:<\/strong><\/p>\n UWAGA \u2013 Liczba miejsc ograniczona!!!<\/p>\n Organizatorem oraz koordynatorem warsztat\u00f3w jest Krakowskie Centrum Choreograficzne \u2013 Nowohuckie Centrum Kultury.<\/p>\n Noclegi:<\/strong><\/p>\n Oferujemy mo\u017cliwo\u015b\u0107 noclegu w Nowohuckim Centrum Kultury w formie miejsca w sali zbiorowej z dost\u0119pem do sanitariat\u00f3w oraz prysznic\u00f3w. Uczestnik powinien we w\u0142asnym zakresie zapewni\u0107 sobie karimat\u0119 lub materac oraz \u015bpiw\u00f3r.<\/p>\n Wy\u017cywienie:<\/strong><\/p>\n Mo\u017cliwo\u015b\u0107 zakupu obiad\u00f3w w Bistro Marchewka, znajduj\u0105cym si\u0119 w Nowohuckim Centrum Kultury (lokalnie, pysznie i zdrowo!) Dla uczestnik\u00f3w KCC Dance Intensive abonament w postaci zupy oraz drugiego dania + woda przez 6 dni w wysoko\u015bci 72 z\u0142 (12 z\u0142 za dwudaniowy obiad). P\u0142atno\u015b\u0107 w Marchewce w pierwszy dzie\u0144 warsztat\u00f3w.<\/p>\n Wieczorne atrakcje:<\/strong><\/p>\n Wieczorami zapraszamy do wsp\u00f3lnego sp\u0119dzania czasu, integracji, basen\u00f3w, saun, film\u00f3w i zwiedzania Krakowa.<\/p>\n REGULAMIN_KCC DANCE INTENSIVE_2018<\/a> kontakt:\u00a0kcc@nck.krakow.pl<\/a><\/p>\n zdj\u0119cie g\u0142\u00f3wne: Aleksander Hordziej<\/p>\n PEDAGODZY KCC Dance Intensive 2018<\/strong><\/p>\n GOSIA MIELECH<\/strong><\/p>\n fot. Kwiatkowska<\/p>\n Jest tancerk\u0105, choreografem, nauczycielem GAGA oraz pedagogiem ta\u0144ca. Uko\u0144czy\u0142a Gaga Teacher\u2019s Training Course w 2018 roku, pod kierownictwem artystycznym Bosmat Nossan, Saar Harari oraz opiek\u0105 mentorsk\u0105 Ohada Naharina.<\/p>\n Absolwentka Og\u00f3lnokszta\u0142c\u0105cej Szko\u0142y Baletowej w Poznaniu. W latach 2007 – 2012 by\u0142a solistk\u0105 w Polskim Teatrze Ta\u0144ca. Ta\u0144czy\u0142a w ca\u0142ym repertuarze Polskiego Teatru Ta\u0144ca, wsp\u00f3\u0142pracowa\u0142a z wieloma polskimi oraz zagranicznymi choreografami, w\u015br\u00f3d nich: Ohad Naharin, YossiBerg, Jacek Przyby\u0142owicz, Yoshifumi Inao, Ewa Wycichowska, Gunhild Bj\u00f8rnsgaard, Paulina Wycichowska, Thierry Verger i inni.<\/p>\n Gosia zwi\u0105zana jest z DanceLab \u2013 projektem artystycznym, kt\u00f3ry za\u0142o\u017cy\u0142a w 2012 roku. Przez lata istnienia DanceLab, stworzy\u0142a kilka spektakli dla zespo\u0142u: Sababa, NILREB, Anonymous, I\u2019mperfect. Prezentuje swoje spektakle zar\u00f3wno w Polsce, jak i na \u015bwiecie: Londyn, Lizbona, Jerozolima, Tel Awiw, Sztokholm, Berlin, Moss, Norymberga, Warszawa, Pozna\u0144, Krak\u00f3w, Wroc\u0142aw itd.<\/p>\n Laureatka nagrody \u201eNajbardziej abstrakcyjna idea\u201d podczas Festiwalu Licht. Blicke w Norymbergi, gdzie zaprezentowa\u0142a swoje dwa spektakle. Gosia zaprasza tak\u017ce go\u015bcinnych choreograf\u00f3w do wsp\u00f3\u0142pracy, Shi Pratt stworzy\u0142a dla DanceLab spektakl pt. \u201eWe Bleed The Same Color\u201d. Jako niezale\u017cna artystka zaanga\u017cowana jest w wiele presti\u017cowych dzia\u0142a\u0144 artystycznych, wsp\u00f3\u0142pracowa\u0142a z duetem izraelsko \u2013 holenderskim Uri Ivgi & Johan Greben. Ta\u0144czy\u0142a w nowych produkcjach oraz w istniej\u0105cym repertuarze Ivgi&Greben.Wzi\u0119\u0142a udzia\u0142 w projekcie \u201eCollectiveJumps\u201d, w choreografii Isabelle Shad w Stary Browar \u2013 Nowy Taniec, Art Station Foundation.<\/p>\n Zosta\u0142a zaproszona przez Instytut Polski w Tel-Awiwie oraz Og\u00f3lnokszta\u0142c\u0105c\u0105 Szko\u0142\u0119 Baletow\u0105 w Poznaniu do wzi\u0119cia udzia\u0142u w polsko \u2013 izraelskiej wymianie artystycznej, jako choreograf reprezentuj\u0105cy Polsk\u0119. Podczas pobytu w Tel Awiwie, prowadzi\u0142a pr\u00f3by oraz warsztaty mistrzowskie dla student\u00f3w Ironi Alef High School for Arts and Sciences w Tel Awiwie. Wzi\u0119\u0142a udzia\u0142 w multimedialnym widowisku tanecznym „Ksenofonia. Symfonia dla innego” w re\u017cyserii Jana Komasy. Premiera odby\u0142a si\u0119 podczas Malta Festiwal w Poznaniu.<\/p>\n Gosia jest artystycznie zaanga\u017cowana w r\u00f3\u017cne, interdyscyplinarne projekty artystyczne, m.in.: jest wykonawc\u0105, choreografem, a tak\u017ce sprawuje opiek\u0119 artystyczn\u0105 nad teledyskami muzycznymi oraz sesjami zdj\u0119ciowymi. Wsp\u00f3\u0142pracuje m.in. z: Ray Wilson, Apparat oraz dj An on Bast.<\/p>\n Uczy swojego repertuaru DanceLab na licznych festiwalach w Polsce i na \u015bwiecie. Prowadzi warsztaty z GAGA, ta\u0144ca wsp\u00f3\u0142czesnego, improwizacji, a tak\u017ce\u00a0Vinyasa yoga, Pilates w: Polsce, Niemczech, Norwegii, Szkocji, Izraelu itd. Jest tw\u00f3rc\u0105 GoPiYoga \u2013 autorskiej formy ruchu przeznaczonej dla tancerzy i nie tylko.<\/p>\n GAGA<\/strong><\/p>\n Gaga<\/strong>\u00a0is a movement language which Ohad Naharin developed over the course of many years and which is applied in daily practice and exercises by the Batsheva Dance Company members.\u00a0 The language of Gaga originated from the belief in the healing, dynamic, ever-changing power of movement.<\/p>\n Gaga is a new way of gaining knowledge and self-awareness through your body. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Gaga raises awareness of physical weaknesses, awakens numb areas, exposes physical fixations, and offers ways for their elimination. The work improves instinctive movement and connects conscious and unconscious movement, and it allows for an experience of freedom and pleasure in a simple way, in a pleasant space, in comfortable clothes, accompanied by music, each person with himself and others.<\/p>\n Gaga\/dancers<\/strong>\u00a0is open to professional dancers and dance students.<\/p>\n \u201cGaga challenges multi-layer tasks.<\/p>\n We are aware of the connection between effort and pleasure,\u00a0 we are aware of the distance between our body parts, we are aware of the friction between flesh and bones, we sense the weight of our body parts, yet, our form is not shaped by gravity . . . We are aware of where we hold unnecessary tension, we let go only to bring life and efficient movement to where we let go . . . We are turning on the volume of\u00a0 listening to our body, we appreciate small gestures, we are measuring and playing with the texture of our flesh and skin, we might be silly, we can laugh at ourselves.\u00a0 We connect to the sense of \u201cplenty of time,\u201d especially when we move fast, we learn to love our sweat, we discover our passion to move and connect it to effort, we discover both the animal we are and the power of our imagination.\u00a0 We are \u201cbody builders with a soft spine.\u201d<\/p>\n We learn to appreciate understatement and exaggeration, we become more delicate and we recognize the importance of the flow of energy and information through our body in all directions.\u00a0 We learn to apply our force in an efficient way and we learn to use \u201cother\u201d forces.<\/p>\n We discover the advantage of soft flesh and sensitive hands, we learn to connect to groove even when there is no music.<\/p>\n We are aware of people in the room and we realize that we are not in the center of it all. We become more aware of our form since we never look at ourselves in a mirror; there are no mirrors.\u00a0 We connect to the sense of the endlessness of possibilities.\u00a0 Yielding is constant while we are ready to snap . . .<\/p>\n We explore multi-dimensional movement, we enjoy the burning sensation in our muscles,\u00a0 we are aware of our explosive power and sometimes we use it.\u00a0 We change our movement habits by finding new ones, we can be calm and alert at once.<\/p>\n We become available . . .\u201d<\/p>\n \u2013 Ohad Naharin<\/p>\n Ohad Naharin has been hailed as one of the world\u2019s preeminent contemporary choreographers.\u00a0 As Artistic Director of Batsheva Dance Company since 1990, he has guided the company with an adventurous artistic vision and reinvigorated its repertory with his captivating choreography.\u00a0 His works have also been performed by prominent companies including Nederlands Dans Theater, the Paris Opera Ballet, Les Grand Ballets Canadiens de Montr\u00e9al, Compa\u00f1\u00eda Nacional de Danza (Spain), Cullberg Ballet (Sweden), Cedar Lake Contemporary Ballet (New York), and Alvin Ailey American Dance Theater (New York).\u00a0 Naharin is also the originator of an innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company\u2019s training, and emerged as a growing force in the larger field of movement practices for both dancers and non-dancers.<\/p>\n GoPiYoga<\/strong>\u00a0\u2013 Gosia Pilates Yoga – to spos\u00f3b pracy z cia\u0142em, kt\u00f3ry inspiruje do zmian, rozwoju. Ruch, kt\u00f3ry wycisza umys\u0142, o\u017cywia cia\u0142o i przywraca r\u00f3wnowag\u0119. GoPiYoga to fuzja vinyasa jogi oraz pilates, do praktyki wplatane s\u0105 elementy baletu, gaga, propriocepcji, ta\u0144ca wsp\u00f3\u0142czesnego, body conditioning oraz innych form ruchowych.<\/p>\n Zaj\u0119cia te buduj\u0105 wspania\u0142\u0105 si\u0142\u0119 fizyczn\u0105, budz\u0105 \u015bwiadomo\u015b\u0107 cia\u0142a, a tak\u017ce otwieraj\u0105 serce, dzi\u0119ki czemu uzyskamy stan g\u0142\u0119bokiego spokoju i kontaktu ze soba. Ruchy po\u0142\u0105czone s\u0105 w energetyczne, p\u0142ynne sekwencje, dzi\u0119ki kt\u00f3rym rozwiniemy si\u0142\u0119, elastyczno\u015b\u0107, wytrzyma\u0142o\u015b\u0107, balans oraz zwinno\u015b\u0107 i koordynacj\u0119. Gosia zach\u0119ca uczni\u00f3w, aby odwa\u017cyli si\u0119 opu\u015bci\u0107 swoj\u0105 stref\u0119 komfortu, zachowuj\u0105c przy tym swoj\u0105 indywidualno\u015b\u0107 i niezale\u017cno\u015b\u0107 podczas praktyki.<\/p>\n GoPiYoga powsta\u0142a po to, aby dzieli\u0107 si\u0119 z uczestnikami ogromn\u0105 pasj\u0105 i mi\u0142o\u015bci\u0105 do ruchu oraz aby odkrywa\u0107 nieograniczone mo\u017cliwo\u015bci cia\u0142a i umys\u0142u.<\/p>\n http:\/\/www.gopiyoga.net\/<\/a><\/p>\n PATRICIA HASTEWELL<\/strong><\/p>\n Patricia Hastewell was born in Barcelona in 1991, she discovers at a very early age her<\/p>\n passion for dance. She combines dance with her other interests (sports, photography and social studies) until 2013 when she receives a Bachelor degree from the Law department of the University of Barcelona and finishes her dance understudies at AREA Barcelona. She graduates from the Salzburg Experimental Academy of Dance SEAD, where she collaborates with artists such as Eduardo Torroja, Sita Ostheimer, The Slovaks, Francisco C\u00f3rdova Azuela, Manuel Ronda, among others.<\/p>\n In Salzburg she awakens her choreographical interest that results in different pieces, \u0308 May it please the court \u0308 2015, \u2018\u2019Bardo Vals\u2019\u2019 2017 and \u2018\u2019All these places have their moments\u0308 2016 was performed in different venues around Europe and won of the audience price at the \u2018\u2019Certamen Coreogr\u00e1fico de Madrid\u2019\u2019 in 2016.<\/p>\n Patricia currently is a member of the Jasmin Vardimon Company and collaborates with thecollective that she co-created La Otra Familia.<\/p>\n
\n<\/strong>10:00-12:00 Countertechnique
\n12:15-13:30 Gaga Dancers
\n13:30-15:00 przerwa obiadowa
\n15:00-17:00 taniec fizyczny
\n17:15-18:15 GoPiYoga
\n= 6 h 15 minut dziennie<\/p>\n\n
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