{"id":708,"date":"2019-01-07T13:39:11","date_gmt":"2019-01-07T12:39:11","guid":{"rendered":"https:\/\/nck.krakow.pl\/kcc\/en\/?p=708"},"modified":"2020-04-14T14:59:54","modified_gmt":"2020-04-14T12:59:54","slug":"trans_mission-around-centre-group-in-the-kcc-studio","status":"publish","type":"post","link":"https:\/\/nck.krakow.pl\/kcc\/en\/trans_mission-around-centre-group-in-the-kcc-studio\/","title":{"rendered":"\u201cTrans_Miss(i)on\u201d, Around Centre Group in the KCC Studio"},"content":{"rendered":"

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\u201cTrans_Miss(i)on\u201d, Around Centre Group in the KCC Studio<\/h1>\n

Feel invited for the newest performance of the Around Centre Group in the choreography of Iwona Olszowska and Ferenc Feh\u00e9r! \u201cTrans_Miss(i)on\u201d, 19th<\/sup> January 2019, 7 p.m., KCC Studio, tickets: 25 PLN.<\/p>\n

Tickets online:<\/strong>
\nhttps:\/\/biletyna.pl\/spektakl\/Trans-MissionGrupa-Wokol-Centrum<\/a><\/strong><\/p>\n

choreography: Iwona Olszowska, Ferenc Feh\u00e9r
\ndance: Jan Lorys, Pawe\u0142 Konior, Zuzanna Nir, Piotr Skalski, Monika \u015awieca, Marta Wo\u0142owiec
\nmusic: Ferenc Feh\u00e9r, Marcin Janus<\/p>\n

It\u2019s a journey deep inside. Exchange between heart beat, flow dynamic, between what\u2019s inside and outside. Exploration of vital and original tribal and subtle suspend. Movement subjected to the laws of physics, emotions and state. Immersed in different space-time and realities. Pulsating between vitality, primordial status and status quo. Between reality and dreaming about flying. Erecting what is organic, animal, archetypal, but also directed to subtle punctures, the elusiveness of the cosmos and spirit. Trans, ritual, the path to itself by connecting with a particle of the surrounding energy of the Universe.<\/p>\n

Teaser: https:\/\/vimeo.com\/302579016<\/a><\/p>\n

\u00a0<\/strong><\/p>\n

Ferenc Feh\u00e9r (Hungary)<\/strong>\u00a0\u2013 dancer and choreographer. His style is a unique and an extremely expressive combination of physical dance, dance theatre and movement theatre, freestyle dance, and animalistic forms, all transformed into a distinctive dance. Ferenc\u2019s style has been developing continuously since 2007 thanks to his own path and individual choreographies based on his consistent explorations of movement and the process of uncompromisingly perfecting his original technique. He started out as a performer at the Finita la Commedia Company, with which he produced 19 performances and won 16 festival awards. For over 11 years of his own career in choreography, Ferenc worked on 25 co-productions, over a half of them outside of Hungary. With his performances, he has travelled Europe and a considerable part of the world, visiting places such as Mexico, Brazil, India, Panama, Russia, South Korea, Japan, the USA, Israel, Iran, Canada, Singapore, China, and Egypt. Ferenc is also an author of off-stage creations, e.g. in the \u201cWorld War Z\u201d feature film or the \u201cAmper and Juice\u201d dance movie. Thanks to his unique and recognisable style, he often teaches during international festivals, in countries including China, Russia, Brazil, Spain, Romania, the USA, Panama, Palestine, Iran, Egypt, and the Netherlands.<\/p>\n

Iwona Olszowska (Poland)<\/strong>\u00a0\u2013 dancer, choreographer, contemporary dance teacher. As a teacher, she specialises in body awareness, improvisation, contact, and improvisation as performance. She has a Somatic Movement Educator certificate based on the Body-Mind Centering\u00ae approach. She created her own dance style, called the \u201cspiral flow dynamic\u201d. Co-founder and artistic director of the EST Experimental Dance Studio (1989), carrying out structured improvisation, lecture-performance, and site-specific projects \u2013 pioneering activities in Polish dance at the time of its establishment. She created the \u201cObszar ta\u0144ca\u201d (\u201cDance Area\u201d) series at the BARAKAH Theatre in Krak\u00f3w. Author of solo performances and group choreographies, e.g. for the Polish Dance Theatre. She has also created stage movement for drama theatres \u2013 in a total of about 40 productions. She has conducted coaching sessions concluded with performances, including \u201cFalling After Paxton\u201d in Toru\u0144, \u0141\u00f3d\u017a, Bia\u0142ystok, and Wroc\u0142aw. She has worked on projects with Pracownia Fizyczna, Renata Piotrowska, Marta Pietruszka, Magda Przybysz, Jacek Owczarek, Anna Haracz, Natalia Iwaniec, and internationally with Liz Lerman, Risa Jaroslow, Maida Withers, Pierre Deloche, and Michael Schumacher, She has won awards for her choreographies, for consistently following her own creative path, and for her stage personality, and received scholarships from the Batory Foundation and the ArtsLink programme in New York. For several years now, she has been working with musician Marcin Janus and dancer and performer Pawe\u0142 Konior, basing her choreographies on the BMC and structured improvisation approach.<\/p>\n

The production is coorganized with the Institute of Music and Dance within the program Choreographic Commissions 2018<\/p>\n

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