The results of the 3\u20262\u20261\u2026DANCE! choreographic competition 2017<\/strong><\/p>\n After watching 16 presentations on the 4th March 2017 the jury Maria Stok\u0142osa, Matej Matejka, Carlo Massari and Agata Mol\u0105g decided to award the following prizes:<\/p>\n Maria Stok\u0142osa<\/strong> awarded:<\/p>\n 1st prize in the amount 500 EUR to Zofia Tomczyk for \u201cTe echo de menos. Mano\u201d.<\/p>\n \u201cFor having trust in herself. For the practice of movement that starts in a place of \u201cweird sensations\u201d. For her soft presence, which allows for a rare closeness between the performer and the audience.\u201d<\/p>\n 2nd prize in the amount of 250 EUR to April Veselko for \u201eWhat does the body dream\u201d.<\/p>\n \u201cFor entering deep into a moving state. Sharp, film-like use of space. Intense body that loses shape, trembles, vibrates and is not afraid of taking risk. For successfully creating a dream-space and dream-time in six minutes.\u201d<\/p>\n Matej Matejka<\/strong> awarded:<\/p>\n 1st prize in the amount of 500 EUR to Agata Meyer-L\u00fcters and Agnieszka Bednarz for \u201eI am Helena\u201d.<\/p>\n \u201cFor creating complex and original art, for highly developed skills and authentic presence on stage.\u201d<\/p>\n 2nd prize in the amount of 250 EUR to Marion Alzieu for \u201eThis is not a white woman\u201d.<\/p>\n \u201cFor courage and incredible energy. For the purity and precision of movement and the authenticity of expression, which created such moving stage imagery.\u201d<\/p>\n Carlo Massari awarded:<\/strong><\/p>\n 1st prize in the amount of 500 EUR to Omar Karabulut for \u201eTerminal B\u201d.<\/p>\n \u201cAn hero, an apnea, a passage between empty and full, an extasy, a combined adult language supported by a young body. An honest body in nudity with its fragilities and purity. A point of non return.\u201d<\/p>\n 2nd prize in the amount of 250 EUR to Helena Ganjalyan for \u201eM E L T\u201d.<\/p>\n \u201cAn hipnotic work bring us to distant world. A body in constantly research solution to survive itself. A deep dramaturgy supported by a strong body. A metamorphosis, a controversial masterpiece of simple deformity.\u201d<\/p>\n Agata Mol\u0105g<\/strong><\/p>\n as the director of the Krakow Choreographic Centre she awarded the participation in the dance workshops Gaga and Physical Dance Camp (summer 2017) to Agnieszka Janicka for \u201cLead me\u201d.<\/p>\n \u201cFor the peace of mind, harmony of movement and consistency in letting the body speak.\u201d<\/p>\n Audience award<\/strong><\/p>\n The audience award in the amount of 300 EUR was given to Ioanna Strati for \u201cSleepstep\u201d.<\/p>\n The 3\u20262\u20261\u2026DANCE! choreographic competition is organized by the Krakow Choreographic Centre \u2013 Nowa Huta Cultural Centre<\/p>\n We would like to invite you to 7th Edition of 3…2…1… DANCE! choreographic competition which will be held on 4-5th of March 2017 in the Nowa Huta Cultural Centre, KRAKOW.<\/p>\n The event 3…2…1… DANCE! is a choreographic competition which has taken place annually since 2011. The competition includes solo works, duos and trios, basing on widely perceived contemporary dance techniques. The basic aim of the competition is to confront your own choreographic work with professional jury and the feedback, from both the jury and the audience, which is to educate the latter.\u00a0The form of the competition constitutes its distinctive feature; according to it every juror, without consulting other members of the jury, awards his\/her own two prizes for two chosen presentations. The juror has to determine what values of a particular performance influenced his\/her decision and list them on the certificate. 3…2…1…DANCE! is one of the few Polish competitions which is directed to those choreographers who are looking for their own, original manners of expression, regardless of their age and experience.<\/p>\n There were 49 pieces submitted for the 7th edition of the choreographic competition\u00a0 3…2…1…DANCE! including solo, duets and trios from Poland, Spain, Great Britain, Slovenia, Austria, Germany, Portugal, Taiwan, Greece, Belgium, Czech Republic, Singapore, France.<\/p>\n After considering all the applications, the Organizers qualify for the competition the following works:<\/p>\n The commission has decided to distinguish these proposals, taking the following into accout:<\/p>\n the pool of prizes: 2550 euro + Gaga and Physical Dance camp (summer workshops)<\/p>\n JURY: Maria Stok\u0142osa, Matej Matejka, Agata Mol\u0105g, Carlo Massari<\/p>\n Every juror, without consulting other members of the jury, awards his\/her own two prizes for two chosen presentations. First prize – 500 euro, Second prize – 250 euro. There is also the additional prize ftom the audience – 300 euro.<\/p>\n 4th March 5 pm KCC Studio 5th March 6 pm KCC Studio Tickets for each evening: 25 z\u0142<\/p>\n JURY<\/strong><\/p>\n MARIA STOK\u0141OSA<\/p>\n photo: Jakub Wittchen<\/p>\n Maria Stok\u0142osa studied choreography at School for New Dance Development (SNDO) in Amsterdam and also completed contemporary dance faculty at London Contemporary Dance School at The Place. Her most recent works are: \u201eZ\u0142ote Demony\u201d, \u201eWylinka\u201d, \u201eIntercontinental\u201d and \u201eMaMa Perform\u201d. She\u2019s an author of stage movement to the opera by Pawe\u0142 Mykietyna \u201cCzarodziejska G\u00f3ra\u201d. For the few years she performed in\u00a0 spectacles of choreographer Jeremy Wade in Berlin, Brussels, New York and Buenos Aires. She danced in “Moving the Mirror\u201d by Peter Pleyer, \u201eTuning Scores\u201d by Lisa Nelson, \u201eProject Zero Point\u201d by Sara Shelton Mann. She co-created the collective of music and dance improvisation Melba. She also took part in project “Action is Primary by Meg Foley” in Philadelphia.<\/p>\n Maria Stok\u0142osa was an initiator and administrator of artistic educational projects for dancers and choreographers. Currently she conducts regular choreography classes in Center in Motion in Warsaw and also number of workshops in Poland and abroad. She is a president of Burd\u0105g Foundation, a chairwoman of Programme Council in The Institute of Music and Dance and a curator of cycle of presentations about experimental choreography \u201cAktywizm ta\u0144ca. Przestrzenie choreografii\u201d in Nowy Teatr in Warsaw.<\/p>\n MATEJ MATEJKA<\/p>\n photo: Karol Jarek<\/p>\n Born in Bratislava, Slovakia. Studied acting at the State Conservatory in Bratislava, Slovakia, later at JAMU University, Brno, Czech Republic. In 2001\u20132006, actor\u00a0 of theatre studio Farm in the Cave, Prague, and co-creator of performances Dark Love Sonnets and SCLAVI \/ The Song of an Emigrant \u2013 multiawarded perfrormance. Since 2005, collaborator of The Grotowski Institute and actor in Teatr ZAR theatre company. He has performed and co-created performances:\u00a0 Anhelli, The Calling and Caesarean Section. Essays on Suicide.<\/p>\n Matej’s interest oscillate between dance and theatre, between suggestion and\u00a0 direction, between tradition and innovation.<\/p>\n “I seek to cross boundaries of conventional status quo in the expression of performers from different art forms.”<\/p>\n Over 11 years of research experience at the Grotowski Institute in Wroc\u0142aw, Poland, have led him to develop resourceful tools and models of practice accessible to any person, no matter\u00a0 the level of their experience.<\/p>\n He developed cycles of workshops of Studio Matejka: Awakening the listening body, Liquid way to action, Dance of Likeness. He lead workshops in Theatres and Universities all around the globe e.g. USA,Venezuela, India, Greece, Great Britain, Canada, France, Spain, or South Korea.<\/p>\n http:\/\/www.studiomatejka.com\/<\/a><\/p>\n AGATA MOL\u0104G<\/p>\n photo: Katarzyna Machniewicz<\/a><\/p>\n Agata Mol\u0105g graduated Theater Studies at\u00a0 Jagiellonian University. She also completed Social Ballet School in Krakow with a diploma of Dancer-Choreographer. \u00a0Since 2007 till 2015 she was a dancer in \u00a0the Krakow Dance Theatre, where she accomplished 14 premieres, including one solo show \u201cBlonde. A Try\u201d and many projects (for ex. \u201cCollective\u201d improvisation with Konrad Szyma\u0144ski and an international group of musicians Atos, \u201cOperation Opera, first Polish-Norwegian jazz cabaret\u201d realized at Krakow Opera and Royal Opera House in Oslo). She co-created and coordinated many artistic events and dance initiatives.<\/p>\n She teaches dance classes for children, adolescents and adults. She works educationally and creates physical space in Zabierz\u00f3w Mill near Krakow.<\/p>\n Currently she is an art director of Krakow Choreographic Centre in Nowa Huta Cultural Center, where she works conceptually, organizationally, creatively and teaches. She contributes art collective Around Centre Group, set up by the team of Center in 2015 by the premiere of performance \u201cMakia\u201d. Her newest piece “Mourners” had premiered during last edition of 3…2…1…DANCE! in 2016.<\/p>\n CARLO MASSARI<\/p>\n photo: Giulia Marangoni<\/p>\n He started his career at the age of 14, working with the company O.T.E. Saracinesche (IT) directed by Pietro Luigi Floridia in the show Il Balcone di Giulietta (Special mention \u201cPremio Scenario 2003\u201d). At the same time he started his collaboration with Compagnia del Teatro dell’Argine (IT) , performing in the shows: Che Diremo Stanotte all’Amico che Dorme (Festival delle Colline Torinesi), Alice 171, Piccoli Cedimenti Strutturali. In 2003 he was directed by Luigi Gozzi in the show L’Attentato, production Teatro delle Moline (IT). The same year he went to the Biennale di Venezia (IT) with a production of Teatro Nove, Teatro della Limonaia (IT), Binario Morto, last work of Barbara Nativi. In 2010 he worked in the musical Grease by Compagnia della Rancia. He started his collaboration with the Teatro Comunale di Bologna for different shows like Beggar\u2019s Opera directed by Lucio Dalla. He started directing his own pieces like Anna Cappelli, Niente pi\u00f9 niente al mondo and Kaf\u00e8 show for three performers from 2007. Since 2010 he has been an interpreter in the physical theatre company Balletto Civile, directed by Michela Lucenti. He performed in the pieces: Il sacro della primavera, (second price \u201cPremio Roma Danza 2011\u201d), They shoot horses don\u2019t they? directed by Gigi Dall\u2019Aglio, choreographer Michela Lucenti and Woyzeck from Michela Lucenti. He started collaboration with the italian company Abbondanza e Bertoni in 2014. In 2011 he created the company C&C.<\/p>\n THE CONDITIONS OF COMPETITION:<\/strong><\/p>\n application from: 2nd January 2017 the pool of prizes: 2550 euro + Gaga and Physical Dance camp (summer workshops)<\/p>\n There is a possibility to get even 4 financial prizes (each juror can award the same presentation + the audience award)<\/p>\n APPLICATION FORM<\/a><\/p>\n RULES AND REGULATIONS<\/a><\/p>\n So… Ready… Steady… GO!<\/p>\n photo Katarzyna Machniewicz<\/a><\/p>\n
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\ncompetition evening (preselected pieces) + feedback
\nBUY A TICKET<\/a><\/p>\n
\nannouncement of results, presentations of winners, performance Dziki Bo\u017cek<\/em> by Aleksandra Bo\u017cek-Muszy\u0144ska<\/a>
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\napplication deadline: 1st February 2017
\nresults: 8th February 2017
\npresentation time cannot be longer than: 12 minutes for trio, 9 minutes for duo, 6 minutes for solo
\napplication fee: 20 euro SOLO, 40 euro DUO, 60 euro TRIO<\/p>\n\n
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